Warning: Language Under Construction

    As a result of summer research, I officially decided to invent a language. It'll help me in my world-building for the Wynna and Thibault storires as well and give me a better grip on linguistics. I'm excited and daunted at the same time. I'll be working on this on my own time until I actually enroll in my senior English capstone, where I'll do it for a grade and not just for pleasure. So here is the first post in a series of many that will mark my progress. Hopefully you'll be amused or informed and not utterly disgusted. Let me know if you have any tips.

     Constructed Language (Conlang) Post #1: The Workstation

Let me introduce my tools from left to right.

TOP ROW

J.R.R. Tolkien: a Biography, by Humphrey Carpenter: for inspiration. Tolkien was a genius linguist.

The Study of Language by George Yule: for reference, one of my old textbooks.

iPod: to look up the longest consonant cluster in Russian

Cat stickies: to make notes in a borrowed book

V8 juice: to give health to my bones while I sit in one place for long periods of time

IPA charts: to help me decide what sounds are the yummiest in the world so I can claim them

Cup: to keep hydrated

BOTTOM ROW

Sketchbook: to play with the shape of words

Languages of the World by Asya Perelstvaig: to keep my language from becoming English in disguise

     After reading through The Language Construction Kit by Mark Rosenfelder and In the Land of Invented Languages by Arika Okrent this summer, conlanging was starting to look overwhelming. But my linguistics professor alleviated my fears by telling me that 1) I don't have to tackle it all at once, but bit by little bit and 2) I can always change anything I end up not liking or that doesn't work.

     So, here I go. My first assignment is to develop a sound system, syllable rules, and produce a list of 20 nouns and 20 verbs.

This is who is making scary shadows at the top of the other picture.

Jumping Hurdles

     For me, world-building is the best and worst part of writing fantasy. It's the best because writing fantasy means that the details of the world are entirely up to you. If you decide that only royalty eat with their hands or that mermaids inhabit all freshwater lakes or that the Northeastern hillsides are smattered with little white flowers called yipparis, then that's how it is. But with creative freedom comes a few hurdles.

Hurdle #1: You might not have to look up facts in a book, but you do have to make up all those facts out of your own head.
Jumping the Hurdle: Everything is based on real life, so look for inspiration. For example, every culture has music. I got a lot of ideas for instruments in Wynna's world in my World Music class.

Hurdle #2: The world you create has to be plausible, if not possible. Readers notice and get pulled out of the story if things don't work in a logical manner.
Example of plausibility: In C.S. Lewis's Horse and His Boy, the two horses Bree and Hwin journey across the desert. As Bree says, galloping all day and night isn't horsely possible, so although it might seem less dramatic, they walk and trot their way to the other side (it's quite thrilling in the end).
Jumping the Hurdle: Maybe you do have to look up some of your facts.

Free image courtesy of freedigitalphotos.net

Hurdle #3: Since fantasy is such an established genre, if you don't do something very unique your story will end up generic, like a cardboard props. But sometimes those clichés seem unavoidable. Take Wynna as an example. Travel cloaks are one of the same-old same-olds of medieval fantasy, but I can't get rid of it! Wynna needs a cloak when she's blasting through the clouds on dragonback at over sixty miles an hour.
Jumping the Hurdle:  Weave the cloak from the threads of glowworms, because it makes Wynna stand out from the Coal Lizard riders black camouflage. Give it details that make it specific to your story and your world.

Hard as it is, world-building can be done! J.R.R. Tolkien is a classic successful example. K.M. Weiland who wrote Dreamlander is also a fantastic world-builder. So, there is hope.

What do you find hardest about world-building?